The Pentacon Six TLs &
Praktisix/Pentacon Six export models
Pentacon Six TLs Dates: apparently
1983/84 on
This version of the Pentacon Six TL
incorporated modifications of standard Pentacon Six TL
cameras.
I assume that the mask (right)
supplied with the Pentacon Six TLs facilitated the
contact printing of the negatives onto paper.
Perhaps three photographs were taken of each person:
full-face, left profile and right profile.
This mask was presumably designed to be placed on the
developed negatives when making contact prints,
to mask out the spaces between the frames, the film
rebates (top and bottom edges) and the unexposed
portions of the original full 6×6 frame.
(This is not the mask that was
added to the film gate when the camera was modified.
For that, see the image below left.)
[C396_18.jpg]
Features
The modification was produced for the
Czechoslovak (as they were at that time) police as an ID
photo camera. It was probably modified in
Czechoslovakia and as such is not a variation produced
by the Pentacon factory.
It produced sixteen (I
believe!) vertical images with nominal
dimensions of “4 × 6” cm. Measuring the
dimensions of the mask in the film gate in January
2019, I saw that the actual dimensions were
approximately 4 × 4.5 cm. More careful
measurement of the film gate in another Pentacon Six
TLs now indicates that the actual width of the gate is
approximately 38mm.
I am grateful to
Krzysztof from Warsaw, who in June 2019 gave me
further information on the probable dimensions of
the film gate:
“I checked
Polish law on identification documents in the
eighties: 35x45 mm ID photos (for ID cards and
passports) were required in Poland, so it is very
likely, that the same dimensions were required in
Czechoslovakia too.”
Thank you, Krzysztof,
for this interesting information and for helping
me to improve this page!
The “extra” approximately 3mm of width
probably allowed for minor inaccuracies when
placing the film under the above frame for the
production of contact prints,
and to ensure that the unexposed rebates between
the frames were fully masked.
The camera’s standard “film-advance
lever” was decoupled from film advance and only served
to cock the shutter, lower the mirror and open the
lens aperture to maximum. The film was advanced
by a knob that replaced the right-hand film spool knob
(viewed from behind), and the correct spacing was
determined by using a red window in the back of the
camera. The lever wind does not block after the
12th (and 24th) frame, as on standard Pentacon Six
cameras, but after 18 frames. However, this
number includes the initial winding and firing before
the first frame, so perhaps the actual usable number
of frames is fifteen. The lever wind block is
released by a new, smaller, unblocking lever in the
same position as the original lever (for the purpose
of winding the film fully onto the take-up spool
before opening the back).
[C369_19.jpg]
[P6TLs_02.jpg]
Note
the differences that have been
incorporated in this modified
version of the Pentacion Six TL:
Reduced-size
film gate
New frame
counter (red section visible in
the above image)
Film is
advanced by turning the arrowed
knob (black on this camera)
under the right-hand (take-up)
film chamber
Film spacing
is determined by viewing the
numbers on the backing paper
through a red window added to
the camera back (with a hole in
the pressure plate)
A consequence of this
is that it is not possible to use
220 film with the Pentacon Six TLs.
The focussing screen is
masked at each side, and the
horizontal lines presumably show the
vertical extent of the image that
will be recorded on the film.
I surmise that the vertical
broken line in the middle is a
compositional aid for the police
photographer. No doubt for
full-face images the subject’s nose
must align with this line, whereas
for left and right profiles perhaps
the photographer was instructed to
align this line with another facial
detail, perhaps the rear edge of the
eye.
The subject was probably
seated on a stool or chair on a base
that would rotate around the mid
point of the seat, to speed up the
process of taking three photographs
without having to re-position the
camera for each one. (Such a
procedure was used in U.K. prisons
at the time, when a Gandolfi camera
was used.)
The next two pictures
give us better views of of the
film-advance knob and of the camera
throat and the focussing screen.
[P6TLs_09.jpg]
[P6TLs_04c.jpg]
On
this particular Pentacon Six TLs,
the film-advance knob is not black
but chrome.
Krzysztof has
written again: “It might also be interesting that
a red window added to P6 TLs to determine film
spacing seems to be positioned centrally (am I
right?). If so, it would show numbers for
6x6 frames, which are 64 mm spaced. This
would make only 12 exposures and a nonsensical
waste of film; moreover the 3-frames mask
supplied with TLs would be useless because it has
much narrower frame spacing.”
I replied, “You are right that the red
window is indeed positioned centrally. This
seems to me to have been an error at the design
stage. If narrower spacing was to be used,
the window should have been near the top of the
pressure plate.” See the picture that shows
the pressure plate, above, and the back of the
camera, to the right here.
Krzysztof continues, “I think that a
following explanation is much probable: since TLs
were produced for the Police, non-standard 120
film was used, perhaps also produced for the
Police. It might have markings for non-standard
frame spacing printed on the backing paper.”
My reply: “The only solution for getting
the new spacing would indeed have been to have
different spacing printed on the backing paper, as
you state. As both East Germany and some
other eastern European countries produced black
and white film, this could probably have been
arranged – and something that was required by the
state security services would have been done!”
See the picture of 120 film backing paper,
below. It has not been practical to include
the whole of the length of the backing paper, but
this picture shows how the spacing is normally
indicated on 120 film backing paper. Of
course, since at least the mid 1950s, most Medium
Format film cameras have not needed to see these
numbers, and have not had a red window, which
could have “fogged” colour film!
[P6TLs_07.jpg]
Part of the backing paper for a
120 film. The top two rows of numerals are
for nominal 6×45 format. Those in the
middle are for 6×6, and those at the bottom are
for 6×9. The red window at the back of the
Pentacon Six TLs could possibly have obtained
suitable frame spacing by using the top two rows
of numbers and dots, but perhaps the
Czechoslovak police wanted more accurate spacing
for their records.
[backingppr.jpg]
Export models
The various Praktisix models and the
Pentacon Six (+TL) were exported to many
countries around the world.Most of the
exported cameras were the standard model of the day,
but some of them had a special feature.
The special export versions of these cameras of which
I am currently aware were:
Dual flash sockets
cameras
A Praktisix/Pentacon Six collector reports:
“I consider most
of the dual flash socket models to be export
models to the US. Almost all of these are
found in the US, including a very rare late
Praktisix (Model I). The Pentacon Sixes
with the “low TL” on the face plate are the most
prominent of these.”
The other principal model of the Pentacon Six
with the dual flash socket was the Hanimex
Praktica 66, which is described in detail here.
I am grateful to the same expert for
some of the further information on this page.
Pentacon Six TL
Italia Date(s): ? – 1987
– ?
A very smart
Pentacon Six TL Italia.
I am surprised that this
one was supplied with a plain prism – but
then, professionals at the time often
preferred to work with a hand-held meter.
The lens left the
production line on 15th May 1987. I note that it has an
“export ring”, labelled “aus JENA” instead
of “Carl Zeiss Jena” and “Bm” instead of
“Biometar”. However, the East German
régime was increasingly confident,
politically, boasting that the “country” was
“internationally recognised”.
Accordingly, the lens is
labelled “DDR”.
[C396_21.jpg]
Features
This was a version of the Pentacon Six
TL that was marketed in Italy. It appears to be
an unmodified Pentacon Six TL that had presumably
undergone an additional quality control by the
distributors, who applied to the front of the camera
(lower right, with the camera facing you) a smart blue
Pentacon logo with the words “ITALIA PENTACON
ITALIA”. The camera illustrated, which was
presumably manufactured in 1987, also has the shiny
shutter release button without the concentric circles
that had been seen on this button since the Praktisix
was first introduced in 1956/57.
This version of the camera seems to be
extremely rare, and I have only ever seen the one
illustrated here and one other example. According
to other reports, the “ITALIA PENTACON ITALIA” logo was
only applied to Praktica, that is 35mm,
cameras. However, this was clearly not the
case. At the same time, a guarantee sticker was
put in the left-hand spool chamber. This sticker
enables one to see the date of sale of the camera.
As the above camera does not belong to me, I can’t
easily check if the guarantee sticker is in it.
Versions with Italian logos
Over time, all three sticker variations
had been used on Pentacon Six TL cameras:
Cattaneo (old)
Cattaneo (new)
Pentacon Italia.
Swiss Versions
Praktisix IIa with decal SP F
Switzerland
Pentacon Six with decal SP F
Switzerland.
Both Cattaneos and
the SP Fs are extremely rare (one of each known).
The Italias are scarce. The "low TL" and the
Hanimex are almost common. None of the export
cameras are modified from the specifications of the
original cameras.
For more information
on Praktisix and Pentacon cameras in Italy, see here.